Monochrome Wedding — Sunglasses Couple Close-Up

Use reference image 1 for the adult man's exact face, likeness and skin tone, and reference image 2 for the adult woman's exact face, likeness and skin tone. Preserve both identities and their natural appearances. A separate scene reference controls framing, posture and clothing only; never copy the scene models' identities. Create a photorealistic black-and-white wedding close-up of the couple standing very near one another outdoors. He faces slightly across the frame, caught mid-laugh with a wide genuine open smile, head turned toward her and chin a little lifted. She stands closer to the lens in the lower left, seen from behind and to one side at three-quarter angle, her face tilted up toward his and smiling warmly back. Their closeness and the direction of their attention carry the moment; they are not posed for the camera and neither looks into it. Dress him in a well-cut black single-breasted suit jacket, a crisp white shirt with a spread collar, a black textured knitted tie, and a small white rose boutonnière with a sprig of greenery on the left lapel. Give him metal-framed aviator sunglasses with dark lenses. Dress her in a pale sleeveless top and angular dark cat-eye sunglasses with no visible branding on either pair. Frame the pair in a tall vertical crop running from a little above his head down to mid-torso, with her head and shoulder occupying the lower left and his face clearly dominant in the upper right. Spend the extra height on his suit, tie and boutonnière rather than widening the shot, and keep both faces in the upper half of the frame. Place a pale classical stone building with repeating arches behind them, far enough back that it reads as broad soft shapes with no readable architectural detail. Render with a fast short-telephoto look: his near eye and the smile line of his cheek are the sharpest point in the frame, the near edge of her head and shoulder dissolves into smooth out-of-focus blur as they approach the lens, and the arcade behind compresses into soft tonal masses. Let the dark lenses of his sunglasses carry one small specular reflection of the architecture opposite. Light with bright diffused daylight bouncing off pale stone, open shade rather than direct sun, so both faces are evenly lit with soft shadow edges and no hard specular hits on skin. Deliver a true monochrome conversion with a full tonal range: deep blacks in the suit that still hold the weave, bright highlights in the shirt that stop short of clipping, mid-grey skin that keeps texture, and a fine even film grain across the whole frame. Create a black-and-white vertical 9:16 photograph. Add a small subtle semi-transparent "promptybox.com" watermark at bottom right, with no other text overlays. Avoid duplicate faces, extra limbs, malformed fingers, plastic skin and unrelated props.